Analysis of To George Felton Mathew



Sweet are the pleasures that to verse belong,
And doubly sweet a brotherhood in song;
Nor can remembrance, Mathew! bring to view
A fate more pleasing, a delight more true
Than that in which the brother Poets joy'd,
Who with combined powers, their wit employ'd
To raise a trophy to the drama's muses.
The thought of this great partnership diffuses
Over the genius loving heart, a feeling
Of all that's high, and great, and good, and healing.

Too partial friend! fain would I follow thee
Past each horizon of fine poesy;
Fain would I echo back each pleasant note
As o'er Sicilian seas, clear anthems float
'Mong the light skimming gondolas far parted,
Just when the sun his farewell beam has darted:
But 'tis impossible, far different cares
Beckon me sternly from soft 'Lydian airs,'
And hold my faculties so long in thrall,
That I am oft in doubt whether at all
I shall again see Phoebus in the morning:
Or flush'd Aurora in the roseate dawning!
Or a white Naiad in a rippling stream;
Or a rapt seraph in a moonlight beam;
Or again witness what with thee I've seen,
The dew by fairy feet swept from the green,
After a night of some quaint jubilee
Which every elf and fay had come to see:
When bright processions took their airy march
Beneath the curved moon's triumphal arch.

But might I now each passing moment give
To the coy muse, with me she would not live
In this dark city, nor would condescend
'Mid contradictions her delights to lend.
Should e'er the fine-eyed maid to me be kind,
Ah! surely it must be whene'er I find
Some flowery spot, sequester'd, wild, romantic,
That often must have seen a poet frantic;
Where oaks, that erst the Druid knew, are growing,
And flowers, the glory of one day, are blowing;
Where the dark-leav'd laburnum's drooping clusters
Reflect athwart the stream their yellow lustres,
And intertwined the cassia's arms unite,
With its own drooping buds, but very white.
Where on one side are covert branches hung,
'Mong which the nightingales have always sung
In leafy quiet; where to pry, aloof,
Atween the pillars of the sylvan roof,
Would be to find where violet beds were nestling,
And where the bee with cowslip bells was wrestling.
There must be too a ruin dark, and gloomy,
To say 'joy not too much in all that's bloomy.'

Yet this is vain--O Mathew lend thy aid
To find a place where I may greet the maid--
Where we may soft humanity put on,
And sit, and rhyme and think on Chatterton;
And that warm-hearted Shakspeare sent to meet him
Four laurell'd spirits, heaven-ward to intreat him.
With reverence would we speak of all the sages
Who have left streaks of light athwart their ages:
And thou shouldst moralize on Milton's blindness,
And mourn the fearful dearth of human kindness
To those who strove with the bright golden wing
Of genius, to flap away each sting
Thrown by the pitiless world. We next could tell
Of those who in the cause of freedom fell;
Of our own Alfred, of Helvetian Tell;
Of him whose name to ev'ry heart's a solace,
High-minded and unbending William Wallace.
While to the rugged north our musing turns
We well might drop a tear for him, and Burns.

Felton! without incitements such as these,
How vain for me the niggard Muse to tease;
For thee, she will thy every dwelling grace,
And make 'a sunshine in a shady place:'
For thou wast once a flowret blooming wild,
Close to the source, bright, pure, and undefil'd,
Whence gush the streams of song: in happy hour
Came chaste Diana from her shady bower,
Just as the sun was from the east uprising;
And, as for him some gift she was devising,
Beheld thee, pluck'd thee, cast thee in the stream
To meet her glorious brother’s greeting beam.
I marvel much that thou hast never told
How, from a flower, into a fish of gold
Apollo chang'd thee; how thou next didst seem
A black-eyed swan upon the widening stream;
And when thou first didst in that mirror trace
The placid features of a human face:
That thou hast never told thy travels strange,
And all the wonders of the mazy range
O’er pebbly crystal, and o'er golden sands;
Kissing thy daily food from Naiad’s pearly hands.


Scheme AABBCCDDEE FDCCCCGGHHEEIIJJFFKK XXCCCCLLEEXDCCMMNNEEFI CCXXOOXDPPEEQQQPPRR SSTTCCUUEEIICCIITTVVWW
Poetic Form
Metre 1101011101 010101001 1101010111 0111000111 1101010101 1101101101 1101010110 0111110010 10010101010 11110101010 1101111101 11010111 1111011101 110010011101 10110100110 1101111110 11010011001 101101111 0111001101 1111011011 11011100010 110100010010 1011001001 10110011 1011011111 0111011101 100111110 11001011111 1101011101 010110101 1111110101 1011111111 011101101 101000111 11001111111 110111111 110010101010 11011101010 11110101110 010010111110 101111010 0101011101 00010111 1111011101 1111110101 1101111 0101011101 101010101 111111001010 01011101110 11110101010 1111110111 1111110111 1101111101 1111010011 0101011100 0111011111 1110101111 110011111010 11111101110 011101110 01010111010 1111101101 110110111 11010011111 1110011101 110110111 1111111010 1100101010 11010110101 1111011101 1001010111 1111010111 11111100101 010100101 111101101 11011101 11011101010 11010101010 11011101010 01111111010 111111001 11010010101 1101111101 11010010111 0101111111 01110101001 0111101101 0101010101 1111011101 010101011 1110010101 10110111101
Closest metre Iambic pentameter
Characters 4,092
Words 737
Sentences 19
Stanzas 5
Stanza Lengths 10, 20, 22, 19, 22
Lines Amount 93
Letters per line (avg) 34
Words per line (avg) 8
Letters per stanza (avg) 640
Words per stanza (avg) 146
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Submitted on May 13, 2011

Modified on March 10, 2023

3:47 min read
98

John Keats

John Keats was an English Romantic poet. more…

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