Analysis of The Night-Scene : A Dramatic Fragment.

Samuel Taylor Coleridge 1772 (Ottery St Mary) – 1834 (Highgate)



Sandoval. You loved the daughter of Don Manrique?
Earl Henry. Loved?
Sandoval. Did you not say you wooed her?
Earl Henry. Once I loved
Her whom I dared not woo!
Sandoval. And wooed, perchance,
One whom you loved not!
Earl Henry. Oh! I were most base,
Not loving Oropeza. True, I wooed her,
Hoping to heal a deeper wound; but she
Met my advances with impassioned pride,
That kindled love with love. And when her sire,
Who in his dream of hope already grasped
The golden circlet in his hand, rejected
My suit with insult, and in memory
Of ancient feuds poured curses on my head,
Her blessings overtook and baffled them!
But thou art stern, and with unkindly countenance
Art inly reasoning whilst thou listenest to me.
Sandoval. Anxiously, Henry! reasoning anxiously.
But Oropeza --
Earl Henry.
Blessings gather round her!
Within this wood there winds a secret passage,
Beneath the walls, which opens out at length
Into the gloomiest covert of the garden. --
The night ere my departure to the army,
She, nothing trembling, led me through that gloom,
And to that covert by a silent stream,
Which, with one star reflected near its marge,
Was the sole object visible around me.
No leaflet stirred; the air was almost sultry;
So deep, so dark, so close, the umbrage o'er us!
No leaflet stirred; -- yet pleasure hung upon
The gloom and stillness of the balmy night-air.
A little further on an arbour stood,
Fragrant with flowering trees -- I well remember
What an uncertain glimmer in the darkness
Their snow-white blossoms made -- thither she led me,
To that sweet bower! Then Oropeza trembled --
I heard her heart beat -- if 'twere not my own.
Sandoval. A rude and scaring note, my friend!
Earl Henry. Oh! no!
I have small memory of aught but pleasure.
The inquietudes of fear, like lesser streams
Still flowing, still were lost in those of love:
So love grew mightier from the fear, and Nature,
Fleeing from pain, sheltered herself in joy.
The stars above our heads were dim and steady,
Like eyes suffused with rapture. -- Life was in us:
We were all life, each atom of our frames
A living soul -- I vowed to die for her:
With the faint voice of one who, having spoken,
Relapses into blessedness, I vowed it:
That solemn vow, a whisper scarcely heard,
A murmur breathed against a lady's ear.
Oh! there is joy above the name of pleasure,
Deep self-possession, an intense repose.
Sandoval [with a sarcastic smile]. No other than as eastern sages paint,
The God, who floats upon a lotos leaf,
Dreams for a thousand ages; then awaking,
Creates a world, and smiling at the bubble,
Relapses into bliss.
Earl Henry. Ah! was that bliss
Feared as an alien, and too vast for man?
For suddenly, impatient of its silence,
Did Oropeza, starting, grasp my forehead.
I caught her arms; the veins were swelling on them.
Through the dark bower she sent a hollow voice; --
`Oh! what if all betray me? what if thou?'
I swore, and with an inward thought that seemed
The purpose and the substance of my being,
I swore to her, that were she red with guilt,
I would exchange my unblenched state with hers. --
Friend! by that winding passage, to that bower
I now will go -- all objects there will teach me
Unwavering love, and singleness of heart.
Go, Sandoval! I am prepared to meet her --
Say nothing of me -- I myself will seek her --
Nay, leave me, friend! I cannot bear the torment
And keen inquiry of that scanning eye. --

[Earl Henry retires into the wood.]

Sandoval [alone]. O Henry! always striv'st thou to be great
By thine own act -- yet art thou never great
But by the inspiration of great passion.
The whirl-blast comes, the desert-sands rise up
And shape themselves: from earth to heaven they stand,
As though they were the pillars of a temple,
Built by Omnipotence in its own honour!
But the blast pauses, and their shaping spirit
Is fled: the mighty columns were but sand,
And lazy snakes trail o'er the level ruins!


Scheme ABCBXXXXCDXCXXDEFGDDXDCXXHDXXXDDIXXJCIDXXXXCXXCXDIXCHXXXCXXXAKLLXGEFXXXXXXCDXCCXX J MMHXNKCXNX
Poetic Form
Metre 10110101101 1101 101111110 110111 011111 100101 11111 11011011 11000101110 1011010111 1101010101 11011101010 1011110101 0101011010 1110100100 1101110111 010010101 1111011100 1110011111 1010010100100 10010 110 101010 01111101010 0101110111 0101101010 01110101010 11010011111 0111010101 1111010111 10110100011 1101011110 111111010101 1101110101 01010101011 0101011101 101100111010 11010100010 1111011111 111101001010 1101111111 1001010111 11011 11110011110 01111101 1101010111 111100101010 1011100101 010110101010 11011101101 10111101101 0101111110 10111111010 01001100111 1101010101 0101010101 11110101110 1101010101 101001011101110101 011101011 110101011 01010101010 010011 1101111 11110001111 11000101110 10010101110 11010101011 10110110101 1111011111 1101110111 01000101110 1110101111 110111110 11110101110 11111101111 010010111 1101101110 1101111110 1111110101 0101011101 110010101 101110111111 1111111101 1100101110 0111010111 01011111011 11100101010 1101000111 10110011010 1101010011 010111001010
Closest metre Iambic pentameter
Characters 3,820
Words 707
Sentences 61
Stanzas 3
Stanza Lengths 81, 1, 10
Lines Amount 92
Letters per line (avg) 33
Words per line (avg) 8
Letters per stanza (avg) 1,006
Words per stanza (avg) 234
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Submitted on May 13, 2011

Modified on March 15, 2023

3:33 min read
86

Samuel Taylor Coleridge

Samuel Taylor Coleridge was an English poet, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. more…

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